时间：4 月19 日晚8 时
地点：三影堂摄影艺术中心（户外）
北京市朝阳区草场地155 号A

        《1989 : 365中德艺术》：168名中德艺术家、摄影家、作者参与，365件于1989年创作的经典摄影作品和艺术作品。《1989：365中德艺术》是第一部以时间和艺术经纬编织的反映当年激烈变化及非同凡响的艺术巨制。

        主编：黄锐
        撰稿：黄锐、顾铮、黎静（Bérénice Angremy）、白杰明 （Geremie Barmé）,阿克曼 （Michael Kahn-Ackermann）,  提曼•施本乐 （Tilman Spengler）,克里斯朵夫•塔讷尔特 （Christoph Tannert）
设计制作：思想手设计•计划
        本书得到德国联邦政府外事办公室邓喜红的支持。

        2009年11月，该书在德国柏林纪念柏林墙倒塌活动期间举办了发布会，并在北京、香港和深圳举办了发布会。

        《1989》直接反映发生在1989年的人文记忆。这是一部通过视觉艺术作品的再观察——发生在1989年，中国的、德国的，切实与1989年的时间相关，切实与1989年的重要文化活动、社会生活、人物肖像、自然景观相关的人文艺术作品，被整理和搭建起来，沿着当年日历的顺序，本书的《1989》成为再次发生的艺术的365天。
        中国和德国一样与1949年发生了重大的政治关系。同样在2009年纪念建国60周年。同样的1989，不同样的命运转折，使中德两国第一次非同寻常地在一本书中联结在一起。
        《1989》创造性地使读者观看同一时间发生的两个场景，它提出在两眼之间可以产生互补的视觉辩证法，它在时间的流动中既看到人、自然、社会变化的两面场景，又看到两种空间在现实、记忆、思考的穿透中绝非偶然的关联。
        近200名中德艺术家、摄影家、作者参与，365幅于1989年创作的经典摄影作品和艺术作品，24幅发生在1949到2009中德两国的历史摄影文献；如此丰富多彩的艺术创作，通过清晰的时间节奏组成其独特的《1989》——这一反映1989年激烈变化及非同凡响的艺术巨制。

"1989: 365 Art Days in China and Germany"
530 pages, 401 B&W and Color photos
Chief Editor: Huang Rui
Contributors: Huang Rui, Gu Zheng, Bérénice Angremy,
Geremie Barmé, Michael Kahn-Ackermann,
Tilman Spengler and Christoph Tannert
Production & design: Thinking Hands
Support of the Foreign Affairs Office of Germany and Deng Xihong

The book "1989: 365 Art Days In China and Germany" is a direct reflection of the collective memory of the occurrences of that fateful year. It is an honest and earnest re-examination of 1989 through works of visual art in both Germany and China. These works of art touch upon all aspects of 1989: its cultural movements, social life, natural landscape and relationship to time. We re-visit these works chronologically in the context of that calendar year. Month by month, day by day, 1989 once again unfolds before us—365 days of art.

"1989" creatively links two very different locations and perspectives via a single temporality. The hope is that divided subjectivities can be united into a mutually-enhancing visual dialectics. It does so by foregrounding social, environmental and cultural changes in these two places. Through the reconstruction of reality, memory and philosophy, it showcases the subtle and irrefutable connection between them.

Nearly 200 artists, photographers and writers from China and Germany participated in this book. It contains some 377 classic works of art and photography—all created in 1989. There are also 24 photographs documenting the history of Germany and China from 1949 to 2009. Within the clear chronological structure, this surfeit of artistic material takes on unique meaning. It reflects not only the profound changes of that year, but also its grand artistic works.

Born in Beijing in 1952, Huang Rui is a contemporary artist and a curator. Highly regarded for his elaborate installations and contemplative performance art, he is an original founder of the avant-garde art Stars in 1979 and has also been the vocal advocate for the 798 Art District. Over the years his works have taken on many forms. Most of them are characterized by a spirit of rebelliousness and an interest in exploring how the human condition faces up to the impenetrable walls of authority. Huang Rui's works convey a daring simplicity, captured by the clean geometry and symmetry of his installation works and the consistent reliance on primary colors in his paintings and sculptures. All of his works stand alone as objects of beauty. At the same time, Huang Rui is a highly socially engaged artist who incorporates important political and historical references into his works. He has a particular fascination with Chinese political slogans from the 1980s reform era, which, using tidy, controlled brushstrokes, are deliberately enlarged on stark white canvases. Nearly three decades since the formation of the Stars, and fifteen years since his return from self-exile in Japan, Huang Rui's works continue to be inextricably linked to the society that he lives in.